Thursday, November 22, 2012

92% Skyfall

All Critics (262) | Top Critics (45) | Fresh (240) | Rotten (22)

'Quantum of Solace,' was a dour, dire letdown. This picture's a substantial bounce back, and easily the best Craig Bond picture. Emotional depth and all.

Sam Mendes' 'Skyfall': sleek, slithery, sensual

The cool accomplishment of Skyfall, 23rd in the Broccoli franchise, is that it seems a necessary, rather than mandatory, addition to the year's popular culture.

Among the most ambitious imaginings of Bond to date: dark, supple, and punctuated with moments of unanticipated visual brilliance.

Mendes' approach to action is classical and elegant - no manic editing and blurry unintelligible images here - but what makes the movie special is the attention he pays his actors.

"Skyfall" is a different kind of Bond movie, one that works just fine on its own terms, but a steady diet of this might kill the franchise. One "Skyfall" is enough.

A lot of critics are claiming this to be the best Bond film ever made; they may well be right-to some degree. It's certainly the most poignant-which, in what is ostensibly an action film, is a feather in Mendes' cap to be sure.

James Bond's 23rd official feature film gives the iconic secret agent something to stew over: an existential crisis.

Suffers from unconvincing plotting, and a third act so bad it brings the roof of the whole endeavour caving in

Even die-hard Sean Connery fans will have to admit there's another actor who can portray James Bond when they see 'Skyfall.'

Mendes does a superb job maintaining tension - and releasing it from time to time so we can take a breath, have a laugh, sit back from the edge of our seat - as he shows how seriously the James Bond character can be taken, without breaking it

Establishing a sense of urgency from the outset, the 23rd Bond film hits its tall target with a bonus back-story, character establishment and strong storyline to balance the action. As a consequence, we are offered a film that is uniquely Bond

Skyfall is inconsistent, displaying Bond at its blandest and Bond at its best.

A smashing new Bond adventure for the superspy's 50th anniversary year.

Sweeping action, solid characters, spectacular scenery, a bountiful sense of cleverness, and a pitch-perfect tone of self-reference to the long line of Bond pop-culture mythology.

Mendes and Co. has an astutely cunning way to keep our blood pumping every minute of the latest and, arguably, best time we've had with the enduring Bond in years.

Better than the average Bond, but not the greatest.

a crackerjack Bond film that cannily mixes the harder, more severe edges of the previous Craig films with a sly sense of humor

The latest James Bond adventure proves, at least in my opinion, that Craig has grasped the role better than any of his predecessors, including Sean Connery.

Skyfall succeeds in providing epic escapism with just the right balance of action, art-house aesthetics and melodrama.

I had more fun with it than I didn't, which is more than I can say about a lot of these big budget event movies.

Bardem's Silva and the spectacular image-making breathe new life into the old firm. Bond-age has rarely been so much fun.

This is a strong, fast, and sexy action story that gives us something different from the Bond films we have seen before.

Indeed one of the very best in the series' 50-year history. Director Sam Mendes gathered a superb cast and technical team for this 007 outing and their collective proficiency shows.

Source: http://www.rottentomatoes.com/m/skyfall/

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